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€ 84,00
EAN-13: 9781441146496
Bronwen Robertson
Reverberations of Dissent. Identity and Expression in Iran's Illegal Music Scene
Edizione:Continuum, 2012

Tempi di rifornimento

Indicativamente procurabile in 10-15 giorni lavorativi
Info disponibilitàRifornimento in corso
Prezzo di acquisto€ 84,00
DescrizioneTable of Contents Introduction Chapter One. A Political Overview: From King to Clergy - Like father, like son?  The Pahlavi dynasty and its downfall- The new constitution, contradictions and conflicts of interest- Repression and resistance: 30 years of two steps forward and one shove back- Let’s party like it’s 680 AD- Conclusion Chapter Two. Music in Iran: From Pop to Pariah - Musical monarchies and poetic politics- A history of pop music in Iran- Conclusion Chapter Three. Music and Islam - Pop music and illegality in the Islamic Republic of Iran- In the shadows of an Islamised pop industry - ‘Illusions’ of grandeur and rock’s rebirth in the Islamic Republic- Conclusion Chapter Four. Boulevard of Virtual Dreams: TehranAvenue’s Online Music Festival - TAMF: History and goals of the festival- TAMF86, a free radical? - Participating and observing Chapter Five. Inventing Identity through Significant Songs: Case Studies of Selected Participants from TAMF86 Online Music Festival - Gatchpazh- Bijan Moosavi- Free Keys- Yellow Dogs- Kian-What’s in it for us?- Conclusion Chapter Six. Smoggy + City = Dirty Rock? - Introduction- Orchestrations of identity: composing the ‘self’ in terms of local and global ideas about ‘Iranian-ness’- ‘Environmental determinism’- Conclusion Chapter Seven. ‘I Am an Original Iranian Man’: Inventing Inventive Identities in Tehran’s Unofficial Rock Music -  Writing the wrongs: challenging stereotypes in stereo sound- Self-confidences: team aesthetic in an ‘each to their own society’- ‘Khaleh zanak’: the scene is cutting off its nose to spite its face- Conclusion Chapter Eight: 127 and Hypernova Abandon the ‘Axis of Evil’ for ‘The Great Satan’ - Small steps towards a giant leap: Tour preparations and problems - ‘Khal Punk’ vs. ‘Through the Chaos’: A comparative analysis of the musical and lyrical content of 127 and Hypernova’s latest recordings- Composing clichés: Playing on being Iranian for commercial gain - Electronic audiences - Conclusion Chapter Nine.  The 2009 Presidential Elections and Potential Futures for Unofficial Rock Music in Iran - A brief history of presidential elections in the Islamic Republic of Iran- Setting the foundations for change: pre-election hype inside and outside Iran-June 12, 2009: an election day for the history books-Musical reactions to Iran’s election result  ConclusionReference ListIndex

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